Lawsuit by Tyra Banks says Netflix’s Next Top Model doc was deceptive

Tyra Banks has filed a lawsuit in June 2026 against Netflix and the filmmakers behind a recent docuseries about America’s Next Top Model, saying the show distorted her words and presented a false story about how the series handled allegations of misconduct. The complaint centers on what Banks calls manipulative editing that turned a lengthy interview into a misleading portrayal with wide public reach.

Netflix released three episodes of “Reality Check: Inside America’s Next Top Model” in February, examining allegations from former contestants that range from racial bias to exploitation and sexual assault. Banks says the program’s editing reshaped her participation and damaged her reputation.

What the lawsuit alleges

The complaint lays out several specific claims. Banks says she gave a roughly three-and-a-half-hour interview after being told the project would explore the show’s history, including both accomplishments and problems. She alleges the filmmakers used only about 16 minutes of that footage and cut material that showed her accepting responsibility.

According to the suit, directors Mor Loushy and Daniel Sivan used “selective editing, deliberate omission and surgical manipulation of continuous footage” to craft a narrative in which Banks is portrayed as having allowed a contestant to be assaulted and then exploited that contestant’s experience for ratings. The complaint argues that editing choices changed the meaning of her answers and omitted context that would have contradicted the series’ central accusation.

Key episode sequence at the center of the dispute

One contested scene involves former Season 2 contestant Shandi Sullivan, who tells the docuseries she was assaulted while intoxicated during a trip to Milan and that production staff failed to intervene. Banks says the show’s cut implies she could not remember Sullivan’s account and therefore appeared indifferent.

The lawsuit contends that in the unedited interview Banks immediately acknowledged Sullivan’s story, but the filmmakers trimmed a nod and an affirmative statement so viewers would only see a pause and a cut to black — a choice the complaint calls deliberate and damaging.

Why this matters now

Beyond the personal stakes for Banks, the case raises questions about documentary practice and the line between editing for narrative and altering meaning. For a series streamed to millions worldwide, the complaint argues, those editorial decisions have real reputational and legal consequences.

  • Alleged misconduct highlighted: The docuseries presents claims of racism, exploitation, body shaming and sexual assault on the show.
  • Interview scope: Banks says she sat for a 3.5-hour interview; only a small fraction was used.
  • Selective editing: The suit accuses filmmakers of removing context to produce a false narrative about Banks’ memory and conduct.
  • Potential legal claims: The complaint frames the portrayal as defamatory and seeks judicial relief for the alleged harm.

Context: the show’s legacy

America’s Next Top Model debuted in 2003 and ran for 24 seasons before ending in 2018. At its peak the series reached a global audience in the tens of millions, and Banks served as host and executive producer for most of its run, briefly stepping away for the 2016–2017 season when Rita Ora took the helm.

The dispute now shifts attention from the show’s past controversies to how modern streaming documentaries shape public understanding of historical events. Legal proceedings will determine whether the editing choices rise to the level of unlawful misrepresentation or fall within protected editorial discretion.

As the case moves forward, it could influence how producers disclose interview aims to participants and how courts evaluate documentary editing in defamation claims.

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