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Jordan Peele is in serious consideration of developing a Get Out 2 sequel, according to the director himself in a recent interview. While Peele has previously expressed hesitation toward purely commercial sequels, new talks suggest the filmmaker may be exploring storylines that would justify returning to the social horror world he created nearly a decade ago. The announcement marks a potential shift in Peele’s approach to franchise expansion.
🔥 Quick Facts
- Get Out (2017) earned $255 million worldwide on a $4.5 million budget
- Peele has stated he will only make a sequel if the story is compelling enough to justify it
- The director’s four theatrical films span horror and suspense genres with social commentary themes
- Producer Jason Blum has previously indicated Peele is “flirting with the idea” of a sequel
The Legacy of Get Out: Nine Years of Cultural Impact
Get Out launched Jordan Peele’s directorial career in February 2017 as his first feature film. The film’s innovative blend of horror and racial social commentary became a cultural touchstone, earning four Academy Award nominations and winning Best Original Screenplay. The film’s box office performance was unprecedented for an original horror concept—crossing $255 million globally with minimal marketing spend reflects deep audience engagement with its themes.
The film’s success established Peele’s signature style: genre-based storytelling that examines contemporary social anxieties. Get Out specifically deconstructed racial dynamics through the lens of body horror and exploitation. This thematic depth distinguished it from typical horror sequels, setting a high bar for any continuation.
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Peele’s Evolving Perspective on Sequelization
For years, Peele has maintained a cautious stance toward sequels. In May 2017, just months after Get Out’s release, he told Deadline that he would never make a sequel “merely to cash in.” Instead, he expressed interest in approaching any potential sequel with the ambition of filmmakers like James Cameron, whose sequels artistically surpassed their predecessors.
Since then, Peele’s filmography has demonstrated commitment to original concepts. Us (2019), Candyman (2021—produced rather than directed), and Nope (2022) all presented new narratives within the horror genre rather than retreading established properties. Yet each film deepened his exploration of class struggle, systemic oppression, and American mythology, showing his thematic range was broader than one franchise could contain.
Current Project Status and Development Timeline
According to recent reports, Peele remains actively developing a fourth directorial project separate from any potential sequel discussions. His previous project was originally scheduled for October 23, 2026 theatrical release through Universal Pictures, but was removed from the calendar in September 2025. As of April 2026, the filmmaker continues writing that untitled project, with cameras not yet rolling.
The Get Out 2 discussions represent a parallel consideration rather than an immediate commitment. Peele’s approach—seriously contemplating storylines while maintaining artistic standards—reflects his proven methodology of prioritizing narrative integrity over market pressures.
| Film | Release Year | Box Office (Worldwide) | Budget |
| Get Out | 2017 | $255M | $4.5M |
| Us | 2019 | $255M | $20M |
| Nope | 2022 | $424M | $68M |
“I will never say never to returning to the Get Out world. But there’s certainly a lot to talk about left in that universe. It all depends on the story.”
— Jordan Peele, Director, as referenced in People Magazine (July 2022)
What a Get Out Sequel Would Need to Succeed
Any continuation of the Get Out franchise would face considerable thematic and commercial pressure. The original film’s narrative created a closed story arc with protagonist Chris Washington escaping the predatory Armitage family. A sequel would require either expanding the mythology of the coagula procedure or exploring entirely new social horrors operating within the same universe.
Given Peele’s track record, a Get Out 2 would likely examine different racial or class-based anxieties rather than simply repeat the sunken place concept. The franchise’s power came from its simultaneous function as genre entertainment and social critique—a balance that requires more creative risk than standard horror sequels.
Commercially, the property remains enormously valuable. Get Out’s 2017 performance established it as one of the most profitable horror films ever made, and audience goodwill remains high a decade later. However, Peele’s insistence on narrative quality suggests he will only greenlight a sequel if the story can match or exceed the original’s thematic sophistication.
The Broader Question: Franchise Films vs. Original Concepts
Peele’s evident caution about sequels reflects a broader industry conversation. Major studios increasingly rely on established franchises, but filmmakers with proven track records often prefer original concepts that offer creative freedom. Peele’s commercial success with Us and Nope—both original films grossing $255 million and $424 million respectively—demonstrates that audiences will embrace new stories from trusted visionary directors.
The timing of Get Out 2 discussions is notable. Peele’s current fourth project remains in active development with no release date. Serious consideration of a sequel suggests his immediate creative priorities have stabilized, or that potential storylines for returning to that universe have finally crystallized into compelling narratives worth pursuing.
Sources
- Pasta Magazine (May 20, 2026) – Director confirmation interview on sequel consideration
- Deadline (May 2017) – Peele’s original statements on sequel philosophy
- Variety (September 2025) – Updates on Peele’s fourth directorial project status
- People Magazine (July 2022) – Peele’s remarks on Get Out franchise potential
- Box Office Records – Get Out, Us, and Nope commercial performance











