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- 🔥 Quick Facts
- Legendary Musicians Unite in Rare Supergroup Formation
- Bob Weir’s Classic 1972 Solo Debut Gets Supergroup Treatment
- Maybe It Was The Roses Festival Celebrates Grateful Dead Legacy
- Fresh Explorations Replace Predictable Tribute Approach
- Can This Momentous Gathering Capture Weir’s Creative Spirit
Dead Aces just announced its lineup for a historic musical moment. A 6-piece supergroup of Bob Weir‘s collaborators will debut at Maybe It Was The Roses Festival on May 31, 2026. The ensemble plans to perform Weir’s 1972 solo album ‘Ace’ in its entirety at this exclusive Ventura, California event.
🔥 Quick Facts
- Group: Dead Aces features Don Was, Aron Magner, Mark Karan, Reed Mathis, Dave Ellis, and John Molo
- Performance: Playing Bob Weir’s 8-track solo debut album ‘Ace’ in complete form for the first time
- Venue: Maybe It Was The Roses, Crowne Plaza Ventura Beach, May 29-31, 2026
- Philosophy: Not a tribute act but a fresh exploration of classic material by seasoned improvisers
Legendary Musicians Unite in Rare Supergroup Formation
Don Was, legendary producer and bassist, anchors the ensemble alongside Aron Magner of The Disco Biscuits on keys. Mark Karan and Dave Ellis spent years in RatDog, Weir’s influential project. Reed Mathis and John Molo both performed with The Other Ones, a significant Grateful Dead spinoff band. The lineup draws members from Billy and the Kids, another project Weir fronted on multiple occasions. Each member brings decades of experience playing with Weir across different eras.
According to press materials, this ensemble will not approach the album as literal recreationists. Instead, these improvisational veterans aim to launch fresh explorations of ‘Ace’ material. Their combined history with Bob Weir and Grateful Dead collaborators uniquely positions them for creative reinterpretation rather than rote reproduction.
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Bob Weir’s Classic 1972 Solo Debut Gets Supergroup Treatment
Bob Weir‘s ‘Ace’ album, released on May 1, 1972, remains a cornerstone of his solo career. The record features 8 essential tracks including “Greatest Story Ever Told,” “Black-Throated Wind,” “Walk in the Sunshine,” and “Playing in the Band.” Many of these songs became staples of Grateful Dead live performances. The album showcases Weir’s songwriting prowess and his ability to blend rock, country, and folk influences into cohesive musical statements. Phil Lesh, his Grateful Dead bandmate, contributed harmony vocals to several tracks.
The album has experienced renewed interest with a 50th Anniversary Remaster released recently. ‘Ace’ marked Weir’s first solo venture outside the Grateful Dead context, establishing him as a solo artist with distinct material and vision. The nickname “Ace” itself came from Weir’s ranch roots and has followed him throughout his career.
Maybe It Was The Roses Festival Celebrates Grateful Dead Legacy
| Event Detail | Information |
| Festival Dates | May 29-31, 2026 |
| Location | Crowne Plaza Ventura Beach, Ventura, CA |
| Dead Aces Performance | Sunday, May 31 (headline slot) |
| Other Acts | Daniel Donato, Stu Allen, Lebo and Friends, SPAGA |
Maybe It Was The Roses operates under Golden Road Festival promotion and celebrates both the Grateful Dead legacy and Bob Weir’s memory. The festival presents itself as an intimate gathering rather than a massive concert experience. Multiple musicians and bands will honor the Dead‘s musical tradition across three days. Early bird tickets were available through April 16, making this a now-limited opportunity for fans to witness this rare ensemble.
Fresh Explorations Replace Predictable Tribute Approach
“This is not a tribute act and it’s not exactly a cover band. This group of seasoned improvisational vets are intent on launching fresh explorations of the well-worn material, as their work with Weir and other members of the Grateful Dead primed them for.”
From official Dead Aces press statement
The supergroup’s philosophy sets them apart from traditional tribute bands flooded across the live music landscape. While the setlist will follow the complete ‘Ace’ tracklist, Dead Aces emphasizes improvisational freedom and creative reinterpretation. Each musician brings personal history playing with Weir, giving them unique insight into the original material’s spirit and intent. This approach allows the ensemble to honor the album while pushing beyond nostalgic recreation into evolutionary performance.
Can This Momentous Gathering Capture Weir’s Creative Spirit
The big question for Dead Aces at Maybe It Was The Roses centers on whether such a distinguished group can genuinely innovate with material they all know intimately. Each member has performed these songs countless times across different configurations and venues. Will they find unexpected territory, or will muscle memory dominate their execution. The answer likely depends on their collective willingness to embrace risk and experimentation despite their profound experience with the material.
For fans of Bob Weir and Grateful Dead culture, this represents a once-in-a-generation opportunity to witness these master musicians unite for a singular purpose. The May 31 performance at Ventura’s Crowne Plaza promises to deliver either a revelatory musical moment or a respectful, if familiar, traversal of classic work.
Sources
- JamBase – Supergroup Dead Aces reveals complete lineup for Bob Weir Ace tribute at California festival
- Live For Live Music – Don Was, Aron Magner, Reed Mathis and more unveil Dead Aces Bob Weir tribute project
- Relix Magazine – New supergroup of Grateful Dead collaborators to unite at Maybe It Was The Roses Music Festival












