In this RSA Animate, radical social theorist David Harvey asks if it is time to look beyond capitalism towards a new social order that would allow us to live within a system that really could be responsible, just, and humane? “Any sensible person right now would join an anti-Capitalist organization.” – The poignant words of Harvey on the unsustainable and inequitable nature of capitalism are brought to life by RSA‘s very cool animation. Enjoy and have a great weekend.
Word
A new biography of the great 20th century journalist Ryszard Kapuscinski is causing a stir. His biographer Artur Domoslawski accuses Kapuscinski of making it up — of making some of it up, anyways. And his accusations have reignited the controversy over truth’s inviolability in the work of professional journalists.
Kapuscinski is like Canada’s Farley Mowat who some years ago was the target of a similar complaint — in fact, a rather savage attack that also accused him of making it up (Mowat’s face appeared on the cover of a widely circulated national magazine with an enlarged Pinocchio nose). And there is the recent reputational crucifixion of James Frey, author of A Million Little Pieces and memoir-writer-cum-reluctant-novelist who made too much of it up for America’s apparently (and selectively, one might add) fact-hungry public, not to mention Oprah and her fans.
The idea of the ‘lie’ in journalism can still provoke a certain kind of righteous outrage. But what gets lost in the excitement is the conversation about truth itself. More specifically, outraged critics hardly ever suggest just what the unimpeachable approach to the truth might be.
Growing skepticism about journalism runs deeper than doubts about a few erroneous facts. An increasingly media savvy public has begun to suspect that the truth always arrives in the mouth of a speaker — that is, always from within language, culture, experience. The more serious problem isn’t the inviolable truth of this detail or that, but what will happen to a profession that hangs all of its hats on the peg of truth when the possibility of truth itself is up for grabs.

Margaret Atwood, Canadian novelist, activist and general rabble-rouser, has been awarded the Dan David Prize at Tel Aviv University. As an outspoken advocate on everything from censorship to poverty to women’s equality to gay rights to arts funding, many human rights activists around the world are hoping Ms. Atwood will join the Boycott, Divestment and Sanctions Campaign and decline the award.
John Greyson, the academic, teacher, superb political filmmaker and committed activist who recently led the campaign to boycott the Toronto Film Festival in reaction to its uncritical spotlight on Tel Aviv, has drafted and distributed the excellent letter to Ms. Atwood below.
Kolkata Dreams is a first collection of poems from Montreal writer K. Gandhar Chakravarty (8th House Publishing) and true to form offers the delight of a new poet’s way of seeing and being in the world — in this instance, the world of Kolkata, India.
What I liked most about this collection — more specifically, about the better poems in the collection — was Chakravarty’s eye for the poetic moment. Wandering the streets of Kolkata, in his finest moments, Chakravarty is able to see into original moments of real pathos and humour through the sometimes difficult tension of being an outsider. The poetic importance, for instance, of children throwing pebbles into a hole in a stone wall — a game that will never be marketed to wealthy Western kids — or the butchering of a small goat, or the way food offerings in a temple become food offerings for the millions of tiny creatures who carry it away, or the crazy and not-so-crazy street words of a leper.
Poetry plays a critical role in Palestinian history, artistic verse emerging from a region where literature has occupied a key space in cultural expression for centuries.
Rafeef Ziadah, a Palestinian poet and activist based in Toronto, recently released Hadeel, an incredible debut poetry album and important point in contemporary Palestinian cultural history. Ziadah’s current work builds on an incredible history of engaged Palestinian artistic expression that has key played a role in shaping cutting-edge culture in the Middle East throughout the past century.
The Vancouver 2010 Winter Olympic Games have come to an end. Canada won more gold medals than any country ever in the history of the Winter Games. And yesterday, Canada took gold in men’s hockey in an electrifying game against the USA. A fitting end it seems to a two-week barn-burner of patriotism and national pride.
But the celebration has its darker side, one that few Olympic enthusiasts know about, or perhaps care to know about. For starters, in 2002 Vancouver residents voted in favour of a $3 billion Olympics that have subsequently mushroomed into a $7-8 billion bacchanalia of subsidies and debt. These “unexpected” costs have put unprecedented pressure on the provincial spending. Over the next two years, provincial funding for the arts will be cut by a staggering 88% – a devastating blow to cultural groups in British Columbia. School closures throughout the Lower Mainland reflect more of the pressure that has been brought to bare on provincial budgets. Add to these the ongoing crisis in homelessness and poverty in Vancouver’s Downtown East Side and the ways that Olympic enforcement ran roughshod over Constitutional rights of expression and assembly, and you have substantive fodder for a critical conversation about the Olympic Games.

Subscribe to Art Threat via RSS
Become a fan on Facebook
Follow us on Twitter



