Design

Artists invited to join Occupy Arts Committee

3rd gathering in Montreal set for March 17

by Michael Lithgow on March 12, 2012

Bryant Park, Manhattan. Photo by Eric Walton

Montreal artists are invited to join the growing collaboration of the Occupy Arts Committee, a gathering of artists from all disciplines who want to support Occupy Montreal with creative practice.

According to organizers, this meeting will be a creation workshop to start imagining, painting & drawing … Artists are encouraged to bring material, art supplies, paint & brushes, etc…. and to think YELLOW.

March 17, 2012 Café l’Artère, 7000 ave. Du Parc (métro Parc). 14h / 2pm

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Crowd sourcing a little curatorial control

National Gallery of Canada invites young artists to submit art & public to judge

by Michael Lithgow on February 6, 2012

"Beat Nation(by Corey Bulpitt)" at Grunt Gallery, Vancouver

Calling young (aged 16-19) Canadian political artists. Here’s a chance to get your work noticed, publicized and into the National Gallery of Canada (NGC).

The NGC has announced its second annual So You Want to Be an Artist contest. It’s a cheezey title, but an opportunity for young artists to get some work in the gallery and maybe a little public approbation.

Submissions are posted online.  The public selects a shortlist of 12 entries through online voting (the shortlisted entries will be shown in the National Gallery).  A jury selects a winner.

Deadline March 18, 2012.

Tell your (young) friends and spread the word.  For more info go to the contest website.

Reclaiming the Mainstream

Comopolitan magazine gets the alt media treatment

by Annie Fitzgerald on January 27, 2012

100 Best Sex Tips of the Year. Bigger, Better Pleasure. Shrink Your Inner Thighs! The Smile That Gets You What You Want. The Sexy Confidence Men Can’t Resist.

The above are samples of headlines from just the past five issues of Cosmopolitan magazine, a periodical that touts itself as being “for women”. Reading these headlines however, it seems as though this publication is more interested in catering to men, rather than offering a source of empowerment, sexual or otherwise, to women. The articles tantalize young women who are still recovering from the throes of adolescence, the blows to their self-esteem, and so advertisements about how to look sexy, get the guy, and lose that weight offer remedies to all their mental and emotional ails.

Cosmopolitan is an established media enterprise: the magazine has been in publication since 1886, but only became exclusively a women’s magazine in the 1960s. It is the largest women’s magazine in North America, and thus a perfect target for my following objective: to transform a corporate or mainstream media sample into alternative media.

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Lego Friends

A screenshot from the Lego Friends website.

Critics are seething after Lego announced its new line of toys designed for girls. The super slim, anatomically incorrect Lego Friends figures have been accused of promoting damaging gender stereotypes and body dissatisfaction.

Lego responded to the controversy by saying they were just giving girls what they wanted. They explained in a statement that the new line was the result of “four years worth of comprehensive, global research with 3,500 girls and their moms to understand what would make LEGO play more interesting for more girls.”

The Danish toy manufacturer has yet to release data on the preteen demand for minifigure miniskirts.

Via LA Times’ Booster Shots.

100 political artists profiled

New book from Gestalten

by Michael Lithgow on January 7, 2012

Gestalten has published a new book about art and politics — Art & Agenda: Political Art and Activism, edited by R. Klanten, M. Hübner, A. Bieber, P. Alonzo, G. Jansenby.

This full-colour coffee table treat introduces, explores and has contributions from more than 100 artists whose work is pushing political and artistic boundaries including Ai Weiwei, YesMen, William Kentridge, Voina Group, Swoon, Elmgreen & Dragset, Fernando Bryce, Gregor Schneider, Hank Willis Thomas, Jennifer Karady, Jota Castro, Marina Abramovic, Maurizio Cattelan, Milica Tomic, Paul McCarthy, Santiago Sierra, and Zhang Huan.

A sneak preview on the Gelstalten website suggests that this is a beautiful and remarkable collection of activist art.

I don’t have my copy yet, but it’s definitely on my list.

Washed Up by Alejandro Durán

Washed Up by Alejandro Durán

The New Year is officially upon us, but we want to take one last opportunity to look in the rear view mirror. Here are 23 of our favourite stories and projects that took place in the world of political art in 2011.

Do you have any personal picks that we didn’t cover? Let us know in the comments below.

Visual Arts

Litter made lovely: Washed Up by Alejandro Durán
The deserted but beautiful homes of Detroit: Kevin Bauman’s 100 Abandoned Houses
Michael Caines’ depictions of US leaders are sincere yet ridiculous
Engaged devotion and care: the terrariums of Paula Hayes
The things they carried: photographer Brian Howell explores shopping cart culture
Politics play prominently at the 54th Venice Biennale
Althea Thauberger’s photo mural speaks of Vancouver’s darkness

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Vancouver seeks Viaduct variations

re:Connect competition looks to obtain citizen input

by Amanda McCuaig on September 29, 2011

It’s the site of what is arguably Vancouver’s most notable event, a bitter battle between the Non-Partisan Association and an alliance of Strathcona activists and Chinatown business people – the Georgia Street Viaduct. Built as a first phase of a planned interurban freeway system, this minute stretch of freeway reaches like a tree root from the downtown core to Chinatown a now-gone neighbourhood of Vancouver known as “Hogan’s Alley” and home to the city’s only black church, the African Methodist Episcopal Fountain Chapel.

On the one hand, the viaduct is considered the single most ‘convenient’ way out of downtown. On the other, a complete waste of incredibly valuable space. It’s an unwanted shrine to a battle that kept the freeway from being built through downtown, allowing the city to become what it is today.

The City of Vancouver has decided it’s time for this shrine to go – though when and how and what will go there is yet to be determined.

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It’s Fashion Week in New York, so it’s an appropriate time to ask the question: Can fashion be truly sustainable? Sure, clothes can be manufactured from organic cotton and recycled pop bottles, but is the use of such green materials simply putting a soul-soothing face on consumerism? Or are environmentally-conscious designers bringing about measurable change in an industry that produces an incredible amount of waste?

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How to protect your books from zombies

Post-industrial bookcase will also shelter your loved ones from terrorist attacks and GMO crop blight

by Rob Maguire on August 24, 2011

Sinkhold by Alex Féthière

From artist Alex Féthière:

“Don’t think Sinkhold is a bookcase because of its shape and contents. Owing to its stainless steel construction from a series of sinks, it holds many things an ordinary bookcase cannot. As such, it is useful in a number of post-bookcase scenarios: terrorist attack, GMO crop blight, even zombie apocalypse.

“Just toss those books, pull the shelves and invert the sinks over up to three infants, cats or purse-dogs: instant individual bunkers! Or use it to carry your produce to the farmer’s market in the parking garage after the widespread failure of Monsanto’s platypus-corn causes mass starvation! And when everyone’s burned their wooden bookcases to cook food or scare off zombies, you’ll still have this to shove against the windows when the hungry hordes come a-knocking!

“The shelves are held in place with only spring tension, so they can be slid up or down when empty and brace more firmly against the sides when loaded. Welded from parts of a fun-park carousel, restaurant sinks and a roll-down gate, this post-industrial, post-consumer furniture is easy to lift, even fully loaded, and as such is perfect for itinerant students or that literary bedouin in your life.”

Heath Nash's Shade Structures

Approached by the Harare International Festival of the Arts in Zimbabwe to produce a public work for their event, South African designer Heath Nash built shade structures using scrap materials — largely discarded beverage containers.

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